As I listened I realized that the Seekers are the quintessential example of a particular syndrome in pop music--a band that kills itself with a hit. If "Georgy Girl" had never happened, they would have been remembered best for stuff like "A World of Our Own" and "I'll Never Find Another You"--songs that were commercial only in the sense that they were too tuneful and accessible not to find an audience. But that ghastly whistling hook was enough to cast them forever in the mawkish mold of the Association, the Christy Minstrels, and the Sandpipers.
It's a shame, because the world should know some of this stuff better. It's pop-folk in the "Mighty Wind" tradition, for certain, but with a bracing, unselfconscious energy and not a trace of that self-congratulatory piety that gave folk music a bad name. "Come the Day," with its titanic guitar strums, full-throated harmonies, and unabashedly idealistic lyrics; "All Over the World," a nakedly emotional but never melodramatic torch song featuring a gorgeous vocal from Durham; a full-steam-ahead version of "Red Rubber Ball" (with Potger at his muscular, precise best) that's so much better than the Cyrkle's tepid, pimply hit that it sounds like a different song; superb covers of folk chestnuts like "The Last Thing On My Mind" and "Well, Well, Well"--these recordings deserve a better fate than to languish in the iTunes servers as forgotten extra tracks by "the Georgy Girl group."
Who else has been a victim of Seekers Syndrome, I wonder?
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